– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Workshop

Understanding Mindfulness Workshop

25 Feb, 12.30pm, Level 2: Seminar Room

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Pop-Up Bar

Sakura Sundays

26 Feb, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Peter Callas: Bilderbuch für Ernst Will

Museum of Contemporary Art Australia (MCA)

Duration

26 May to 2 July 1995

about the exhibition

Peter Callas, an internationally recognised Australian video artist, described this work as 'an electronic rendering of a form of proto-televisual iconomania: the creation of haphazardly sourced private pictorial scrap books or bilderbuch.’

The original Ernst Will’s Picture Book, from which the images of Callas’ work derive, was compiled anonymously from mass-produced images (portraits, battle scenes, voyages of explorations, animals) in war-torn Vienna and found by Callas in a second-hand shop. Through his use of this source material, Callas continued his exploration of 'technology as territory’, looking at how myths and histories are generated through evolving relationships between the private and public spheres – in this case drawing upon the relationship between an anonymous European picture-book bricoleur and a plethora of mass-produced images of places, events and people.