– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Workshop

Understanding Mindfulness Workshop

25 Feb, 12.30pm, Level 2: Seminar Room

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Pop-Up Bar

Sakura Sundays

26 Feb, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

New Romance: art and the posthuman

Museum of Contemporary Art Australia (MCA)

Duration

30 Jun 2016 to 04 Sep 2016

Artists:

Rebecca Baumann, Ian Burns, Hayden Fowler, Siyon Jin, Airan Kang, Sanghyun Lee, Soyo Lee, Wade Marynowsky, Moon Kyungwon & Jeon Jooho, Patricia Piccinini & Peter Hennessey, Kibong Rhee, Justin Shoulder, Giselle Stanborough, Stelarc & Nina Sellars, Wonbing Yang

Curators:

Anna Davis & Houngcheol Choi

About the exhibition

New Romance: art and the posthuman brought together artists from Australia and Korea whose works encouraged us to ask what it means to be human, and what it might mean in the future. Drawing inspiration from science fiction, robotics, biotechnology, consumer products and social media, they offered experiences that raised questions around the idea of the posthuman; a concept that signals new understandings of humanity and a breakdown of boundaries between what we think of as natural and artificial.

Born across five decades, from the 1940s to the 1980s, the artists employed an eclectic array of technologies in their works. These technologies ranged from the highly specialised to the mass-produced and were used to create everything from crossbred cacti and LED books to dancing robots and a pneumatically powered blender mixing human biomaterials. The thread that linked these diverse artworks was an exploration of new kinds of encounters, not only among technologically connected humans but also between so-called ‘intelligent’ objects, plants, animals and all manner of hybrid entities.

The artists also reflected on issues such as hyper-consumerism and alternative futures; inviting us to consider how our relationship with the natural world is changing, through our increased ability to alter our environment and through the threat of ecological apocalypse. Several of the artists took on the role of inventor or even mad scientist; experimenting with living organisms, building strange machines and constructing artificial worlds. Some investigated how our emotions are triggered when interacting with kinetic objects, while others tried to see the world from a nonhuman perspective.

These curious and inventive works made visitors wonder what the future might hold.

Over the opening weekend of the exhibition, 30 June – 3 July 2016, The Festival of New Romance marked the commencement of New Romance: art and the posthuman with a mix of events, talks, performances and workshops that aimed to celebrate Korean culture and showcase the contemporary art practices on show in the exhibition.

Discover more about the artists and works

Discover