– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Workshop

Understanding Mindfulness Workshop

25 Feb, 12.30pm, Level 2: Seminar Room

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Pop-Up Bar

Sakura Sundays

26 Feb, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Christian Marclay: The Clock

Museum of Contemporary Art Australia (MCA)

Duration

29 Mar 2013 to 03 Jun 2013

CURATOR: RACHEL KENT

The Clock is a 24-hour video by artist Christian Marclay. The work was played continuously during regular museum opening hours. Every Thursday for the duration of the season, the MCA presented a special 24-hour screening.

Christian Marclay’s video installation The Clock comprises several thousand short extracts from cinema history that refer to time through the presence of a clock, watch face or related symbol. Mixing diverse film genres, eras and locations, it is a vibrant collage of imagery and sound that chronicles 24 hours’ duration, synchronised to the real time of gallery viewers watching it.

The Clock highlights the centrality of time within conventional cinema narratives – the way it binds stories and leads us through their events. Yet by the same token, cinema traditionally immerses viewers within an illusory sense of time, suspending the real time of the world outside.

Both an art work and a time piece, Marclay’s video heightens time and tells us the time. It creates an uncanny correspondence between cinematic and real time, drawing viewers into a parallel awareness of what they watch on screen and experience beyond it.

Christian Marclay was born in California in 1955 and lives between London and New York. He has employed the concept of collage since the 1970s across diverse media including film and video, photography, installation, sound and music.

Christian Marclay, The Clock, 2010

Christian Marclay, The Clock, 2010, installation view, Christian Marclay: The Clock, MCA, 2012, image courtesy and © the artist