– Highlights


Tatsuo Miyajima

03 Nov - 05 Mar

Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug


Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events


Understanding Mindfulness Workshop

25 Feb, 12.30pm, Level 2: Seminar Room

Pop-Up Bar

Sakura Sundays

26 Feb, 3.00pm, Ground Floor: Outdoor Terrace


Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

MCA Collection

Works from the MCA Collection

Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.


Museum of Contemporary Art Australia (MCA)


20 Dec 1994 to 13 Feb 1995

Curator: Sue Cramer

about the exhibition

Richard Long is internationally recognised for works which use nature as a source of concept and content. Stones, sticks and clay, the active elements of wind and water, and simple actions like walking through the landscape and placing stones are used by the artist to convey ideas about the inherent power of the environment and our relationship with it, and the passing of time.

This exhibition featured three works that represented the transformation of elemental materials vital to life into vital materials for art. Bush Stone Circle (1994) was a classic floor sculpture comprising two concentric circles made from dark granite bush stones. It was juxtaposed with two large wall works, Brown Clay Line (1994) and White Clay Circles (1994) both made from local clay mixed with water. The three elements, stones, clay and water, were complementary, and sourced locally.

Featuring Works from the MCA Collection

Richard Long
  • Fingerprint circle
  • Fingerprint circle