– Highlights


Tatsuo Miyajima

03 Nov - 05 Mar

Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug


Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events


Understanding Mindfulness Workshop

25 Feb, 12.30pm, Level 2: Seminar Room

Pop-Up Bar

Sakura Sundays

26 Feb, 3.00pm, Ground Floor: Outdoor Terrace


Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

MCA Collection

Works from the MCA Collection

Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.


Museum of Contemporary Art Australia (MCA)


15 Jan 1992 to 15 Mar 1992


Neil Denari, Future Systems (Jan Kaplicky & Amanda Levete), Kei Iche Irie, Sam Marshall, Ian Moore, Peter Tonkin


Craig Bremner

about the exhibition

CARAVAN was the MCA’s inaugural design exhibition, the first of a series of exhibitions that aimed to bring design under the umbrella of contemporary art. Four designers were commissioned to participate in the project, reflecting on design as a way to explore the manner in which we live and furthering the dialogue between industry and design to improve quality of life. Each designer worked closely with an Australian manufacturer to realise their concepts in the most economical and practical way possible. The caravan was chosen because of its evocative popular associations, linking economic and social, industrial and cultural attitudes to living.

The four prototype caravans were displayed on the MCA’s front lawn along with a fifth caravan that housed documentation of the extensive design processes involved in creating these deceptively complex and innovative mobile homes.