– Highlights

highlight
Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

highlight
Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

highlight
Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

highlight
Workshop

Understanding Mindfulness Workshop

25 Feb, 12.30pm, Level 2: Seminar Room

highlight
Pop-Up Bar

Sakura Sundays

26 Feb, 3.00pm, Ground Floor: Outdoor Terrace

highlight
Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

highlight
MCA Collection

Works from the MCA Collection

highlight
Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

highlight
Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Kaboom! Explosive animation from America and Japan

Museum of Contemporary Art Australia (MCA)

Duration

12 Nov 1994 to 05 Mar 1995

Artists:

Ralph Bashki, John Beck, Bob Clampett, Buichi Terasawa, Hayao Miyazaki, Mike Judge, Katsihiro Otomo, Kenichi Sonada, John O’Donnell, Osamu Tezuka, Masamune Shirow, Masuo Ueda, Rumiko Takahashi, Takashi Oshiguchi, John Zorn

Guest Curator:

Phillip Brophy

about the exhibition

KABOOM! investigated the technical, stylistic, political and cultural realms of the world of animation after World War Two in the domineering postwar cultures of America and Japan. It was high-key audio-visual exposure to the dimensional wonder of animation, immersing the visitor into the chaotic logic, askew physics and abrasive stylistics which characterised it as a medium – one with an illustrative, graphic feel and yet one capable of stretching one’s visual experience and aural sensations.

The American component of the exhibition focused on the animation of Bob Clampett (Beany & Cecil), Ralph Bashki (Fritz the Cat), and on cult cable TV shows such as The Ren & Stimpy Show. The Japanese component of the exhibition focused on the work of Osamu Tezuka (Astro Boy), Hayao Miyazaki (My Neighbor Totoro) and on examples of wild teen genres and cyberpunk animations.

Animation cells, audio-visual displays, documentaries and associated merchandising also formed part of the exhibition.