– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Pop-Up Bar

Sakura Sundays

05 Mar, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Paul Winkler: Films 1964-94

Museum of Contemporary Art Australia (MCA)

Duration

07 Jul 1995 to 10 Sep 1995

Curators: Brian Doherty & David Watson

About the Exhibition

Paul Winkler: Films 1964-94 disclosed many of the significant elements of the work of Paul Winkler, a Sydney filmmaker: his inventive means of generating an in-camera montage of disparately moving images, his mapping of the interconnecting structures of the natural and human-made environments, and his empathy with the medium of film in its simplest essentials. These methods led to the development of films which could be disorientating – often abstract and confronting.

Winkler’s art-historical influences were tangentially traceable in the work: minimal art of the 1960s and 1970s, the systemic experiments and constructions of the 1970s and the concrete poetry of the 1950s.

Although global in its appeal Winkler’s work maintains an essential Australian identity. He wrestled familiar Australian images and iconography into his often-beautiful, dense and pulsing personal vision. In his work he re-constituted and caressed Australia’s sacred 20th century sites and national shrines through the filter of his own European-migrant history.