– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

The National 2017

30 Mar - 18 Jun

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Exhibition

Kader Attia

12 Apr - 30 Jul

– Learning Events

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Special Event

ARTBAR March 2017

31 Mar, 7.00pm, MCA

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Screening

Art + Film: Curated by Erin Coates

01 Apr, 2.00pm, Level 2: Veolia Lecture Theatre

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Girl On Film: Erin Coates

The National 2017: New Australian Art artist Erin Coates gets in the driving seat for our April film experience more

Diary of an MCA Trainee

Fiona learns that contemporary art doesn’t have to be a puzzle you can’t solve. more

Art Escapades

Artist Educator Nicole Barakat talks about our new Art Escapades program for 3-5 year olds. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

John Power: Music and Dancing

Museum of Contemporary Art Australia (MCA)

Duration

12 Mar 1997 to 08 Aug 1997

Curator: Linda Michael

About the exhibition

Music and Dancing was a showcase of works by the MCA’s founding benefactor, J W Power.

John Joseph Wardell Power (1881-1943), was a medical graduate of the University of Sydney, an expatriate artist and collector who lived and worked in Europe until his death. He was a visionary benefactor, and bequeathed funds to the University of Sydney to establish a collection of contemporary international art for public display. These funds provided core funding for the development of the MCA. The J W Power Collection formed a core component of the MCA Collection in its early years, and continues to be managed by the MCA on behalf of the University of Sydney. The J W Power Collection features works by Australian and international artists including kinetic work from the 1960s and 1970s, Op Art, Pop Art, Minimalist works, performance pieces and more recent works from 1980s. It also includes 1,103 paintings, oil sketches and drawings by John Power himself.

As an artist, Power was part of the international avant-garde movement during the 1920s and 1930s. Trained as a surgeon, he served as a medical officer in World War One and painted his experiences of the horrors of war, the power of human endurance, and the slaughter he witnessed. The experience of operating on soldiers who were sent back to the front convinced him to reject medicine as a profession and concentrate on painting.

Power’s post-War paintings reflected the harmonious and spiritually satisfying domestic life he found himself in with his wife, Edith Mary James. The works are polished and luxuriously decorative still lives and interiors. This exhibition, however, focused on Power’s lifelong obsession with music. Many of his works expressed the intricacies and inner workings of art, music, mathematics and microbiology, his aim being to penetrate below surface appearances to the underlying ordered truth of the matter.