– Highlights

highlight
Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

highlight
Exhibition

The National 2017

30 Mar - 18 Jun

highlight
Exhibition

Kader Attia

12 Apr - 30 Jul

– Learning Events

highlight
Special Event

ARTBAR March 2017

31 Mar, 7.00pm, MCA

highlight
Screening

Art + Film: Curated by Erin Coates

01 Apr, 2.00pm, Level 2: Veolia Lecture Theatre

highlight
Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Girl On Film: Erin Coates

The National 2017: New Australian Art artist Erin Coates gets in the driving seat for our April film experience more

Diary of an MCA Trainee

Fiona learns that contemporary art doesn’t have to be a puzzle you can’t solve. more

Art Escapades

Artist Educator Nicole Barakat talks about our new Art Escapades program for 3-5 year olds. more

– Spotlights from the collection online

highlight
MCA Collection

Works from the MCA Collection

highlight
Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

highlight
Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

MAO GOES POP: China Post 1989

Museum of Contemporary Art Australia (MCA)

Duration

01 Jun 1993 to 15 Aug 1993

Artists:

Ah Xian, Cai Jin, Ding Fang, Ding Yi, Feng Mengbo, Fu Zhongwang, Gu Wenda, Guan Wei, He Sen, Hong Hao, Li Shan, Liu Dahong, Liu Ming, Liu Wei, Pan Dehai, Song Yonghong, Sui Jianguo, Tang Song/Xiao Lu, Wang Guangyi, Wang Jianwei, Wang Jingsong, Wang Ziwei, Wei Guanqing, Xia Xiaowan, Xu Bing, Yu Youhan, Zhang Peili, Zhang Xiaogang

Guest Curators:

Chang Tsong-zung & Li Xianting

About the exhibition

MAO GOES POP: China Post 1989 was a major international group exhibition of contemporary Chinese artists who were involved in the avant-garde movement of the 1990s. The exhibition was curated by Chang Tsong-zung and Li Xianting, and originally presented in a different configuration with the title China’s New Art, Post 1989 at the Hong Kong Arts Centre in February 1993. The exhibition subsequently toured in a reduced form to Sydney, Melbourne, Vancouver, and five venues in the United States.

In its original form, the exhibition included over 200 works by 51 artists, including paintings, sculptures and installations. It sought to present a coherent view of the cultural sensibilities of the Chinese avant-garde movement in the post-Tiananmen era. Works explored the disillusionment and cynicism of many in Chinese society at the time, and emphasised the power of art as a force for social change and creative response.