– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Pop-Up Bar

Sakura Sundays

05 Mar, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Michael Stevenson

Museum of Contemporary Art Australia (MCA)

Duration

05 Apr 2011 to 19 Jun 2011

Curator: Glenn Barkley

about the exhibition

Originally from New Zealand, now based in Berlin, Michael Stevenson has been described as an anthropologist of the avant-garde. This exhibition provided an overview of a career spanning more than 20 years, beginning with regional realist landscapes and still life paintings.

The idea of ‘uncertainty’ is a term that is used within a number of different fields including economics; Stevenson’s practice, comprising drawings, objects and installations, explores this idea and the collision between American-based governmental conspiracy theories, the art world, cold war subtexts, the global financial crisis and the seepage of these events into the cultural communities of New Zealand and Australia. This retrospective included a number of Stevenson’s ambitious installation-based works produced over the past six years as well as new works configured specifically for the MCA. It included the 2004 installation Argonauts of the Timor Sea which began with the meticulous investigation and research of the infamous and almost ill-fated, raft journey of Australian modernist painter Ian Fairweather. In this work Stevenson created a series of objects including maps and prints related to journey, as well as remaking and launching a replica of Fairweather’s raft, which was installed in the first Level 1 gallery.

The artist took advantage of the impending renovations of the MCA building and included the removal of gallery walls as part of his installation, revealing the hidden architecture of the building as intrinsic to the exhibition experience. Visitors walked through exposed cavities and air conditioning ducts and used the goods lift as the only access to the hidden back section of the show.

Curated by Glenn Barkley, this was Stevenson’s largest solo exhibition to date, featuring key works from his extensive practice of more than 20 years.

A dedicated microsite was created to accompany the exhibition, featuring a number of text and video resources providing a deep insight into Stevenson’s work and artist practice.

Visit the exhibition website

Michael Stevenson exhibition guide

Download