– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

The National 2017

30 Mar - 18 Jun

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Exhibition

Kader Attia

12 Apr - 30 Jul

– Learning Events

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Workshop

Art Safari

26 May, 10.30am, Level 3: National Centre for Creative Learning

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Performance

Tribunal

03 Jun, 6.00pm, Level 3: National Centre for Creative Learning

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Event

HANDFED

04 Jun, 9.00am, Level 4: Sculpture Terrace

– News from inside the MCA

Farewell Linda Marrinon Artist Room

We bid a fond farewell to Linda Marrinon’s Artist Room more

Zines, zines, zines

'It can be what you want it to be’. Stallholders at the 2017 MCA Zine Fair say it how it is. more

Young Art Lovers' Book List

To celebrate World Book Day (Sunday 23 April) the MCA Store and MCA Learning crew have teamed up to put together a selection of fun, inspiring and engaging titles sure to spark the imaginations of budding artists and creative thinkers. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Primavera 2007: Young Australian Artists

Museum of Contemporary Art Australia (MCA)

Duration

24 Aug 2007 to 03 Nov 2007

Artists

Patrick Doherty, Honor Freeman, Briele Hansen, Anthony Johnson, Justine Khamara, Jess MacNeil, Amanda Marburg, Katie Moore, Martin Smith

Curator: Christine Morrow

about the exhibition

Primavera 2007: Young Australian Artists brought together nine artists whose practices ranged across two-dimensional, three-dimensional and time-based work: Patrick Doherty, Honor Freeman, Briele Hansen, Anthony Johnson, Justine Khamara, Jess MacNeil, Amanda Marburg, Katie Moore and Martin Smith.

Their diverse art forms spanned painting, photography, installation, sculpture, video and ceramics. These artists’ works operated at the level of the sensual art object and generated a keen awareness of the role of our senses in mediating our experience of the work of art, especially in examining the trustworthiness of our visual perception. The motif of the human body linked many of these objects and installations, which either situated the body of the viewer firmly within the space of the work, included representations of bodies that were incomplete, or removed the body from the work in a manner that drew attention to its absence.

The works in Primavera 2007 also addressed matter in terms of weight, texture, substance and surface, exploring such materials as plasticine, woodchips, self-adhesive vinyl, plaster, foam, clay and bronze. In this exhibition, traditional two-dimensional media (photography and painting) and ephemeral media (video) adopted radical physical embodiment. References to craft, DIY and the home made, together with the representation of household objects and environments, situated several of the works firmly within a domestic realm.

A principle of ‘formlessness’ united the objects and installations in this exhibition—apparent in representations of amorphousness, collapse, liquid states, shape-shifting, gaps, rupture and spillage. The artists also explored the idea of the past by incorporating classical references, childhood narratives, old-fashioned objects and retro decorative finishes. Some works investigated the idea of nostalgia while others examined how time unfolds through the concept of loss.

Primavera is the Museum’s annual exhibition of Australian artists aged 35 years and under. Since 1992, the series has showcased the works of artists in the early stages of their career, many of whom have gone on to exhibit nationally and internationally.

Primavera was initiated in 1992 by Dr Edward Jackson AM and Mrs Cynthia Jackson AM and their family in memory of their daughter and sister Belinda, a talented jeweller who died at the age of 29.

Primavera 2007 toured to the Anne and Gordon Samstag Museum of Art, Adelaide: 18 April – 1 June 2008

Featuring Works from the MCA Collection

Patrick Doherty
  • Same as it ever was