– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Pop-Up Bar

Sakura Sundays

05 Mar, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

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5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Matthew Ngui: Points of View

Museum of Contemporary Art Australia (MCA)

Duration

04 Jun 2007 to 12 Aug 2007

Curator: Russell Storer

about the exhibtion

For over twenty years, Matthew Ngui has embraced the shifting point of view as a means to question perception, location and subjectivity. His installations, video works, photographs and performances engage in subtle and playful processes of negotiation and communication, from his renowned 1990s performances in which Singaporean food was ordered, prepared and consumed in the gallery, to his recent architectural pipe constructions that form connections between people and spaces.

Born in Singapore and based in Perth since the late 1980s, Ngui continues to live and work between the two cities. The idea of ‘home’ is recurrent in his art, considered not as a singular place but as a process continually under review. The condition of having two widely contrasting homes has been an important influence on the artist’s work, resulting in an exploratory approach towards place and identity. This can be seen in both his early attempts to map the Western Australian landscape as well as his public proposal to write the word HOME in floodlights across the Singaporean city skyline.

In this proposal, as well as in works such as Chair and the PVC pipe installation in this exhibition, Ngui employed the visual device of anamorphosis, in which a fragmented or distorted image comes together from a single viewpoint. Actively involving the public in the construction of the image, Ngui’s anamorphic works suggest the shifting nature of perception and meaning, depending on where one is at a particular point in time and space.

Matthew Ngui: Points of View featured works from the past two decades of the artist’s practice, including early photographic and slide pieces, reconfigured recent works and new videos produced for the MCA exhibition. Documentation and materials relating to Ngui’s many public and site-specific projects and proposals were also presented, providing a sense of the artist’s multifarious approach to working in public, private – and imaginary – sites.

An MCA National Touring exhibition:

  • John Curtin Gallery, Perth: 7 February – 20 March 2008
  • National Museum of Singapore, Singapore: 28 May – 30 June 2008

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