– Highlights

highlight
Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

highlight
Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

highlight
Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

highlight
Pop-Up Bar

Sakura Sundays

05 Mar, 3.00pm, Ground Floor: Outdoor Terrace

highlight
Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

highlight
Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

highlight
MCA Collection

Works from the MCA Collection

highlight
Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

highlight
Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Erwin Wurm: Glue Your Brain

Museum of Contemporary Art Australia (MCA)

Duration

28 Nov 2005 to 12 Feb 2006

Curator: Antonella Soldaini

about the exhibition

The first solo exhibition in Australia of Austrian artist Erwin Wurm, this exhibition brought together a selection of significant earlier works as well as his more recent explorations. Through experimentation in performance, photography, installation, drawing, video and text, Wurm pushes the boundaries of sculpture by investigating elements of time, mass, and material form. The exhibition offered a comprehensive picture of Wurm’s vision, ranging from video footage to live sculptures to do-it-yourself artistic statement. Among the best known pieces were his One Minute Sculptures 1997, a collection of 48 still shots of men and women choreographed into absurd, whimsical and often dangerous positions with inanimate objects.

Wurm’s work is concerned with finding ways to extend the associated with pioneering performance and conceptual art of the 1960s, into formal works of sculpture. While appearing purely comical on the surface, there are complex messages beneath these temporary sculptures that elevate them above the status of mere incident, form, and behaviour. These sculptures provide satirical commentary on life and art. In this exhibition, visitors were invited to participate in the artwork, physically interacting with his ‘ready-mades’ such as a dog kennel, flowers and tennis balls. The artist drew on well-known sculptural and performance traditions of the twentieth century but at the same time engaged with today’s social concerns and behavioural taboos, from paranoia to indifference.

Supported by

Supported by the Federal Chancellery – Department for the Arts, Austria

Supported by

Part of the official program of the Sydney Festival 2006