– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Pop-Up Bar

Sakura Sundays

05 Mar, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Ed Ruscha

Museum of Contemporary Art Australia (MCA)

Duration

18 Mar 2004 to 23 May 2004

Curator: Rachel Kent

about the exhibition

This major exhibition of work by one of America’s most influential and independent contemporary artists, Ed Ruscha, presented significant films, photographs, paintings, artist’s books and drawings from the 1960s to 2004. Ruscha’s extensive practice produced a range of work that combined an interest in popular culture, typography and language, with a characteristically witty sensibility. Ultimately defying categorisation, Ruscha’s body of work combines elements of pop art, process art, conceptual art, photorealism and media-based imagery with a focus on painting.

This was Ruscha’s first Australian solo exhibition. The works were largely drawn from the artist’s studio, including some rarely seen material as well as works on paper and canvas made especially for the Museum of Contemporary Art Australia and subsequent exhibition venues in Berlin and Rome. Two of the artist’s 16 mm films Premium (1971) and Miracle (1975) were also presented in conjunction with the exhibition, one of the few times they had been screened publicly in the preceding two decades.

A large suite of aerial photographs of car parking lots in California, hung in a grid, introduced the exhibition; adjacent was a gallery housing selected print books by the artist. Books were one of the first artistic formats used by Ed Ruscha, and he has self published over 20 since the early 1960s. Taking the ordinary subject matter of Los Angeles and its environs as his theme, the books acted as an objective, visual record of west coast life and landscape. The Los Angeles landscape and falsity of Hollywood glitz are important themes in Ruscha’s practice.

This exhibition presented over 80 works on paper from the early 1960s, including the artist’s ongoing body of work collectively entitled The End, and 42 large-scale paintings from the late 1980s to the present day, which encompassed the single word, silhouette, aerial streetscape and mountain themes for which the artist is so well known.

Though Ruscha’s choice of media is diverse, it is his paintings which have afforded him widespread recognition. Classic examples include his pop-inspired paintings of associative objects and words, black and white silhouette paintings, and panoramic paintings of words and phrases against stylised mountain backdrops. Ruscha’s ‘streetscape’ paintings of horizontal views echoing what one might see from the window of a moving car – neat, intersecting lines and place names recall the artist’s frequent drives along Route 66 to visit family in his hometown of Oklahoma. The flat, vast landscapes are similar to the Australian plains and deserts making Sydney an ideal setting for Ruscha’s works.

Tour Itinerary

The Museo Nazionale delle arti del XXI secolo (MAXXI), Rome, Italy: 30 June – 3 October 2004
The Neue Nationalgalerie, Berlin, Germany: September – November 2004