– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Workshop

Understanding Mindfulness Workshop

25 Feb, 12.30pm, Level 2: Seminar Room

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Pop-Up Bar

Sakura Sundays

26 Feb, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Ambitious? Who, me? Newish work by Rodney Glick

Museum of Contemporary Art Australia (MCA)

Duration

19 Feb 2004 to 09 May 2004

Curator: Russell Storer

about the exhibition

The work of Western Australian artist Rodney Glick is characterised by its diversity. Since the mid 1980s, his practice has incorporated sculpture, installation, painting, photography, collage, drawing and video, as well as books, furniture design, public art and architecture. Glick’s approach to art is wide-ranging and constantly inventive. He comments on the international art world and its structures through real and fictional institutions, mythical artists and philosophers, parodic publications, and humorous installations, such as Ambitious? Who, Me? (2003) which features the artist himself on display, and Office Painting (2004) which twists the form of the framed painting to ludicrous lengths.

Working both solo and collaboratively with a range of practitioners, including designers, writers and architects, Glick’s process consistently entails exchange and dialogue. Location is central to Glick’s art, which is solidly grounded in his own corner of the world, be it the tidy suburbs of Perth or the flat plains of the Western Australian wheat belt. Glick’s commitment to public art and his involvement in the setting up of the International Art Space in the farming town of Kellerberrin (IASKA) has integrated art with local communities, while works such as EARTHQUAKE (1999-2002) represent these unique if overlooked landscapes in surprising ways.

Glick’s first solo exhibition on the east coast for over a decade Ambitious? Who, Me? Newish Work by Rodney Glick featured work from the previous five years, and displayed a number of the artist’s key interests and motifs, including manipulation of scale, biting and irreverent humour, evocative use of media, and idiosyncratic narratives. Works such as Ocean Deep (2003), Clock (2001/2004) and Still Life (2002/2003) transformed collections of household objects into timeless artistic subjects, while Mountain (2000/2004) and Lap Pool (2003) created an impressive sense of scale and drama with everyday materials.

Two major video projections, EARTHQUAKE (1999-2002) and LIFE plus TV (2002-2003) collapsed time and space into vast panoramas where an entire day could be viewed in an hour, while a new work, Marble Bun (2003) rendered a massive cube of marble into a light, fluffy sculpture. In each case Glick draws on the histories and systems of art-making and its reception to investigate the possibilities for art and its place in the world.

This exhibition was made possible through the generous support of MCA Ambassadors.