– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Pop-Up Bar

Sakura Sundays

05 Mar, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Robert Macpherson

Museum of Contemporary Art Australia (MCA)

Duration

13 Jul 2001 to 21 Oct 2001

Guest curator: Trevor Smith

About the exhibition

At the time of the exhibition this was the largest survey of Robert Macpherson’s work. Macpherson uses the rich and colourful culture of his childhood in 1940s Queensland, merging these sensibilities with the formalism of American artists he discovered in magazines and books, to create work that is intensely Australian and distinctly local.

The exhibition emphasised Macpherson’s use of visual elements from daily life. Honouring the beauty of the mundane, he employs the language of roadside signage, fruit and vegetable shops, car enthusiasts and the homeless. It also sought to examine Macpherson’s fascination with systems of objects and language which are manifested through broad fields of knowledge including art history and social history, biology and mythology.

This exhibition was part of the New South Wales Centenary of Federation endorsement program.