– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

The National 2017

30 Mar - 18 Jun

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Exhibition

Kader Attia

12 Apr - 30 Jul

– Learning Events

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Special Event

ARTBAR March 2017

31 Mar, 7.00pm, MCA

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Screening

Art + Film: Curated by Erin Coates

01 Apr, 2.00pm, Level 2: Veolia Lecture Theatre

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Girl On Film: Erin Coates

The National 2017: New Australian Art artist Erin Coates gets in the driving seat for our April film experience more

Diary of an MCA Trainee

Fiona learns that contemporary art doesn’t have to be a puzzle you can’t solve. more

Art Escapades

Artist Educator Nicole Barakat talks about our new Art Escapades program for 3-5 year olds. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Andy Warhol: Portraits

Museum of Contemporary Art Australia (MCA)

Duration

20 Nov 1993 to 06 Mar 1994

About the exhibition

Andy Warhol: Portraits presented 34 examples of portraiture from Warhol’s extensive oeuvre, including portraits of Aretha Franklin, Maria Shriver, Joan Collins, John Lennon, Herman Hesse, Man Ray, and others.

Portraiture forms one of the most central categories of the Warhol’s artistic enterprise. Key to this was images of the famous, or images that engage with the fame-conferring power of a culture saturated with image-reproduction and the 'authority’ of global media.

When Warhol took up portraiture, its estimation in western culture had fallen to a point of disdain and irrelevance among the serious categories of fine art. Whereas portraiture had drawn on the assistance of photography almost since the latter’s development in the early nineteenth century, Warhol’s innovation was to turn to the photographic image as an aesthetic system already functioning in metropolitan experience.

In reviving still portraiture, Warhol employed the ubiquitous contemporary technology of photography and silk-screen printing – previously confined to the world of advertising. His subjects were celebrities and well-known figures in high society, from Dolly Parton to the Prince and Princess of Wales.

The exhibition was accompanied by a film program of works drawn from the collections of the Andy Warhol Foundation, the Whitney Museum of American Art, and the Museum of Modern Art, New York.

Andy Warhol: Portraits was developed in collaboration with the Anthony d’Offay Gallery, London, and the Andy Warhol Foundation, New York.