– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

The National 2017

30 Mar - 18 Jun

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Exhibition

Kader Attia

12 Apr - 30 Jul

– Learning Events

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Tour

Art Baby

04 May, 10.30am, MCA

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Event

WORKSHOP FOR PRIMARY TEACHERS

12 May, 9.00am, Level 3: National Centre for Creative Learning

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Event

MCA Zine Fair 2017

21 May, 10.30am, MCA

– News from inside the MCA

Young Art Lovers' Book List

To celebrate World Book Day (Sunday 23 April) the MCA Store and MCA Learning crew have teamed up to put together a selection of fun, inspiring and engaging titles sure to spark the imaginations of budding artists and creative thinkers. more

From the archives: Curious catalogue

Never judge a book by its cover? In this issue of our monthly archive series, MCA Archives and Records Management Coordinator, Stephanie, leafs through some unusual pages more

Girl On Film: Erin Coates

The National 2017: New Australian Art artist Erin Coates gets in the driving seat for our April film experience more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Jean Baudrillard: The Ecstasy of Photography

Museum of Contemporary Art Australia (MCA)

Duration

04 May 1994 to 20 May 1994

Guest Curator: Nicholas Zurbrugg

About the exhibition

Jean Baudrillard was internationally recognised as one of the world’s leading intellectuals. Born in 1929 in France, he rose to prominence as a philosopher, sociologist, cultural theorist and political commentator in the 1980s and 90s. His published works were considered part of the poststructuralist philosophical school, along with the works of Gilles Deleuze, Michel Foucault, and Jacques Derrida. Baudrillard died in 2007.

In 1981, Baudrillard began to explore photography, using his art to further express his philosophical ideas. He saw photography as a means to capture a world that existed in paradox from reality – a ‘radically non-objective’ world.