– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Pop-Up Bar

Sakura Sundays

05 Mar, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Sydney Photographed

Museum of Contemporary Art Australia (MCA)

Duration

21 Dec 1994 to 13 Feb 1995

Artists:

Judith Ahern, Micky Allen, Emmanuel Angelicas, Ellen Comiskey, Christine Cornish, Brenda Croft, Johnathon Delacour, Peter Elliston, Gerrit Fokkema, Fiona Hall, Tom Hennemann, Ken Heyes, Martyn Jolly, Jon Lewis, Stephen Lojewski, Peter MacKenzie, Ian Provest, Catherine Rogers, Bruce Searle, Peter Solness, John Williams, William Yang, Anne Zahalka

Curator:

Linda Michael

about the exhibition

This exhibition wove together the work of 23 contemporary photographers around the theme of ‘Sydney’. Sydney was not necessarily the only, or even the primary subject of these photographs, yet viewed in combination they constructed a mosaic of urban spaces, lives and cultures that could be recognised as unmistakably Sydney. In contrast to the marketing stereotypes of the Sydney, this exhibition presented an image of a complex city which is often as surprising as it is mundane.

Rather than illustrate someone else’s story, promote Sydney or its way of life, or document extraordinary people or places, most of the exhibited works emerged from the photographers’ intimate knowledge of particular Sydney places, communities and histories.

Featuring Works from the MCA Collection

Emmanuel Angelicas
  • The Border