– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Workshop

Understanding Mindfulness Workshop

25 Feb, 12.30pm, Level 2: Seminar Room

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Pop-Up Bar

Sakura Sundays

26 Feb, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Sangeeta Sandrasegar

Born 1977, Brisbane. Lives and works Melbourne.


Sangeeta Sandrasegar was born in Brisbane of Malaysian and Australian parents, and spent her childhood growing up between both countries. In 1987 her family settled in Melbourne where she currently lives and works.

In 2010, Sandrasegar returned to Melbourne after a stint working and travelling overseas. Her exploration of India and Australia, as personal sites of both homecoming and ancestry, and as nations with related colonial histories, propels her current projects. Her practice is centred round postcolonial and hybridity theories and draws strongly from her mixed heritage. Sandrasegar is interested in the many ways the structures of culture, sexuality and identity are intertwined in contemporary culture and in interpreting and representing these interconnections.

Sandrasegar has exhibited nationally and internationally since 2000. Recent solo exhibitions include The scaffold called the Motherland Spews Infinite Grace, Murray White Room, Melbourne (2012); White Picket Fences In The Clear Light, Gallery 4A, Sydney (2009); Untitled (All four hundred…) ArtBeijing with Mori Gallery, Sydney (2008); Theatre of the Oppressed, Johnston Gallery, Perth (2006); and Goddess of Flowers, Mori Gallery, Sydney (2003).

Group exhibitions include Creepy And Divine: The Secret of The Snake, Africa Museum, Netherlands (2012); And the Falchion Passed Through His Neck, Latitude 28, New Delhi (2011); New Acquisitions In Context, MCA, Sydney (2010); Slash: Paper Under the Knife, Museum of Arts and Design, New York (2009); On the Field of Truth on the Battlefield of Life, Korkos Gallery, Hong Kong (2008); Stick and Move, Frey Norris Gallery San Francisco (2007); and Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery | Gallery of Modern Art, Brisbane (2006).

Sandrasegar’s work is held in a number of private and public collections, including the Queensland Art Gallery | Gallery of Modern Art, Brisbane; University of Western Australia, Perth; and BHP Billiton and HSBC Bank (Australia).

Works by Sangeeta Sandrasegar

– In the MCA Collection online

– View also

All
Works

Related Exhibitions