– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Pop-Up Bar

Sakura Sundays

05 Mar, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

John Barbour

Born 1954, The Hague, Netherlands. Lived and worked Adelaide. Died 2011.


John Barbour’s experimental and interdisciplinary practice comprises works on paper and cloth, sometimes incorporating deliberate stains, tears and child-like hand-embroidered text. Influenced by conceptual art and minimalism, Barbour’s work engages with ideas of human frailty and fallibility through the use of lowly and humble materials like cardboard, torn paper, Styrofoam and stained cloth. His works declare themselves not as ‘well-made’ in the tradition of fine crafts and art, or as ‘ready-mades’ in the sculptural tradition of anti-art, but as ‘un-made’: brought into existence through chance, accident and carelessness rather than accomplished as a demonstration of skill. In electing to pursue the transient, the accidental, the torn and unraveled, Barbour brings to our attention the fallibility and precariousness of existence in works of thought-provoking ambiguity and ambivalence. 

Barbour was a senior academic in the Architecture and Design School at the University of South Australia, and his artistic practice spanned more than three decades. His last solo exhibition was Infinite Thanks at Yuill|Crowley, Sydney in 2011. Other exhibitions include Work for Now, Australian Experimental Art Foundation, Adelaide (2010) and Tribute (A Bibliography for Bees), Contemporary Art Centre of South Australia (CACSA), Adelaide (2006). His work was also shown in Interesting Times: Focus on Contemporary Australian Art, MCA, Sydney (2005) and the Bienal de São Paulo, Brazil (2002). The Australian Experimental Art Foundation published a monograph on his work, Hard/Soft, in 2011.

Barbour’s work is held in the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Queensland Art Gallery | Gallery of Modern Art, Brisbane; as well as private and university collections in Australia.

Works by John Barbour

– In the MCA Collection online

– View also

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Works

Related Exhibitions