– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Workshop

Lights On Later

08 Dec, 6.00pm, Level 3: Creative Studios in NCCL

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Workshop

Art Safari

09 Dec, 1.00pm, Level 3: National Centre for Creative Learning

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Workshop

Understanding Mindfulness Workshop

10 Dec, 12.30pm, Level 2: Seminar Room

– News from inside the MCA

Twitter tour: Rachel Kent on #TatsuoMiyajima

Chief Curator Rachel walks us through her exhibition highlights more

What's it like to view art in the nude?

Gill Nicol, Director, Audience Engagement, reveals her experience of stripping down and gaining a new perspective of the MCA Collection by viewing it entirely in the nude. more

Reliving our 25th Birthday Weekend

See what happened over our three-day celebration 25 years of art #MCA25 more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings comprises 275 bark paintings donated to the MCA in June 1993 by Arnott’s Biscuits Limited. The collection features works from the 1960s through to the early 1980s by important artists from the creative hubs in and around Groote Eylandt, Yirrkala, Galiwin’ku (Elcho Island), Milingimbi, Maningrida, Ramingining, Gunbalanya (Oenpelli), Wadeye (Port Keats) and the Tiwi islands; places still significant today for their ongoing contribution to contemporary Aboriginal art practice. The collection is widely considered to be one of the most important collections of bark paintings in the country.

The Maningrida Collection, the Ramingining Collection and the Arnott’s Collection are three remarkable collections of Aboriginal art which complement one another, and came to the Museum because of its commitment and involvement with the Aboriginal communities, and a curatorial perspective from ‘within’ the communities in the case of the two closely related areas of Ramingining and Maningrida.

Arnotts

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings, installation view, MCA Collection, Museum of Contemporary Art, 2012, image courtesy and © the artists and artists’ estates/Licensed by Viscopy, 2015, photograph: Paul Green