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29 Mar - 31 Dec

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Biennale Of Sydney

20th Biennale of Sydney

18 Mar - 05 Jun

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Telling Tales

02 Jun - 09 Oct

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Workshop

Art Safari

27 May, 1.00pm, Level 3: National Centre for Creative Learning

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29 May, 2.00pm, Level 2: Veolia Lecture Theatre

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MCA Zine Fair 2016

11 Jun, 10.00am, MCA

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ARTBAR and Vivid meet again

Dipped in colour and drenched in light, we hand the paintbrush over to Huseyin Sami to curate this month’s MCA ARTBAR as it collides with Vivid Sydney. more

Go-go Dance: from 60s Twist to Sydney

Let’s twist! Artist Bridie Connell talks history of 60s Go-go dance & where it’s at in Sydney today more

Visual arts sector United over funding cuts

Australia Council’s recent announcement that 65 organisations will no longer receive funding under its Four-Year Funding program (previously Key Organisations), delivering a major blow to our contemporary visual arts sector. more

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Volume One: MCA Collection

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The Program promotes Australian art globally, helping Australian artists reach new audiences.

Press Releases – string theory: Focus on contemporary Australian art

Posted on May 24, 2013

The Museum of Contemporary Art Australia (MCA) announces string theory: Focus on contemporary Australian art, a group exhibition exploring innovative approaches to fibre and art in a contemporary context.

The presentation brings together over 20 Aboriginal artists from across Australia who work with expanded notions of textile and craft-based tradition.

The artists and artist groups presented in the exhibition include Tony Albert, Jean Baptiste Apuatimi, Boolarng Nangamai Aboriginal Art + Culture Studio, Frances Djulibing, Robyn Djunginy, Lola Greeno, Dale Harding, Evelyn McGreen, Lipaki Marlaypa, Dhundunga Mununngurr, Noongar Doll Makers, Laurie Nilsen, Alison Page, Regina Pilawuk Wilson, Jimmy Pike, Yarrenyty Arltere Artists, Tjanpi Desert Weavers, Vicki West and Yirrkala Printmakers.

string theory presents a diverse range of works which engage with textile artistic traditions including sculpture, photography, painting and video. The exhibition is fore-grounded by the work of Yirrkala artist Lipaki Marlaypa whose traditional hand-made woven string acts as a conceptual starting point.

A number of works in string theory, such as those from Ramingining and Yirrkala will become part of the MCA Collection and have a direct lineage back to the MCA’s history. One such work, and a pivotal one, a Yukuwa (Yam string vine) by Frances Djulibing is a reprise of an earlier piece that bridges the MCA past and present.

MCA Director Elizabeth Ann Macgregor OBE said: ‘string theory is a multi-disciplinary contemporary tribute to the rich textile tradition of Aboriginal artists and takes as its starting point the way in which the MCA‘s collecting policy has always acknowledged such work as contemporary art.’

A key component of string theory is people. People talking and people making. In Dale Harding’s work, ideas and objects grow out of conversations with the artist’s grandmother and mother, slowly evolving into artworks that tell the hard truths of Australian history.

The Tjanpi Desert Weavers’ tactile environments are a culmination of discussion, travel across vast distances and hands-on work between artists and art workers in communities, cities and towns, non- Indigenous and Indigenous, working together.

The exhibition’s curator Glenn Barkley said: ‘string theory is a scientific principle that posits a theory of everything. In the exhibition it implies expansion and connection across time and space, porous and open- ended embracing diverse approaches to the idea of ‘fibre’ or craft-based disciplines.’

string theory: Focus on contemporary Australian art is presented in the Level 3 Galleries.

Media Contacts
Claire Johnson / Myriam Conrié
Museum of Contemporary Art Australia
+61 (0)2 9245 2417 / +61 (0)2 9245 2434
claire.johnson@mca.com.au
myriam.conrie@mca.com.au