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Mca Collection

MCA Collection

29 Mar - 31 Jul

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Exhibition

Telling Tales

02 Jun - 09 Oct

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Exhibition

New Romance

30 Jun - 04 Sep

– Learning Events

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Workshop

Art Safari

09 Aug, 10.30am, Level 3: National Centre for Creative Learning

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Conference

THE FOREVER NOW

01 Sep, 6.00pm, MCA

– News from inside the MCA

Dear Giselle

New Romance artist Giselle Stanborough answers your questions about the modern dating world. more

What we've been reading: June

In the spirit of our current exhibition, Telling Tales, MCA Staffers share what they’ve been reading over the past month. more

Where do artists get their ideas from?

Artist Educators Stephanie & Athena are interviewed by kids about their art practice more

– Spotlights from the collection online

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Volume One: MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Ken Whisson: As If

Museum of Contemporary Art Australia (MCA)

Duration

01 Oct 2012 to 28 Nov 2012

Co-Curators: Glenn Barkley (MCA) & Lesley Harding (Heide Museum of Modern Art)

About the exhibition

In a career spanning over sixty years, Ken Whisson has been making thoughtful and uncompromising artworks which hold a unique place in Australian art. Whisson’s reputation has been built around his tenacious dedication to the acts of painting and drawing, and he has a persistent fascination with the delicate operations of both his inner reality and the world at large.

Ken Whisson was born in 1927 in Lilydale, outside Melbourne. He studied under Russian émigré artist Danila Vassilieff (1897–1958) in the 1940s, and emerged out of the influential school of figurative expressionism. Whisson’s imagery has since evolved to combine the tendencies of his formative years with an increasingly linear and graphic abstraction. Following his relocation to the Italian city of Perugia in the late 1970s, the ideas and experiences of displacement and memory have helped elaborate his enduring engagements with landscape, identity and politics. He has forged an unconventional and highly personal aesthetic which sees topographical and single-point perspectives coalesce, and imagery that often suggests a heightened, sometimes hallucinogenic reality.

The artist’s title for this retrospective derived from Immanuel Kant’s dictum: ‘May you live your life as if the maxim of your actions were to become universal law’, and the Paris Surrealists’ declaration: ‘Let us live as if the world really exists’. The exhibition traced the evolution of Whisson’s major themes and series, from his powerful portrayals of human relations to those which consider the relationships people and animals have with the natural, built and cultural environments.

Ken Whisson: As If was produced in partnership with Heide Museum of Modern Art, Melbourne and exhibited from 17 March – 15 July 2012.

I believe that the reason for making art is that it gives to the world, not just to human beings, some more profound dimension, something nearer to the reality that we feel it surely must have, but does not seem to have.

Ken Whisson, 2002

In the Shop