MCA Collection: New Acquisitions 2009

Museum of Contemporary Art Australia (MCA)

Duration

28 Jul 2009 to 31 Jan 2010

Artists

Benjamin Armstrong, Aleks Danko, Nicholas Folland, Christopher Hanrahan, Newell Harry, Moya McKenna, Danie Mellor, Nigel Milsom, David Lawrey & Jaki Middleton, Gemma Smith, Grant Stevens

Curator: Rachel Kent

about the exhibition

New Acquisitions 2009 brought together art works acquired for the MCA Collection over the previous twelve months. Introducing contemporary Australian artists in the early stages of their careers, as well as more established practitioners, it presented works across diverse media by twelve artists from Sydney, Adelaide, Brisbane, Canberra, Melbourne and regional Victoria. A number of artists featured in New Acquisitions 2009 had participated in exhibitions at the Museum previously, in particular within its annual Primavera exhibition for Australian artists aged thirty-five and under. Benjamin Armstrong, Moya McKenna, Gemma Smith and Danie Mellor were all former Primavera artists featured in this exhibition; and Aleks Danko had previously participated in the MCA’s bi-annual Focus series of exhibitions devoted to the work of more established Australian artists.

With its collection focus, New Acquisitions 2009 did not have an overarching curatorial theme. There was a surreal sensibility to Benjamin Armstrong’s organic forms in blown glass and on paper and to Moya McKenna’s dreamy painting of a studio interior infused with sunlight. Nicholas Folland’s installation of capsized chandeliers transformed domestic objects into something strange and beautiful, while Christopher Hanrahan’s ‘found’ sculpture revealed meaning through the use of light.

Light and mirrors were used by collaborative duo David Lawrey & Jaki Middleton to convince viewers they were seeing a small ‘ghost train’ looping through a hand-made diorama. Newell Harry also attached fairy lights around the edges of his work, which resembled a Polynesian tapa cloth with votive trinkets stitched to its surface and vessels clustered at its base. Language and text were present in a number of exhibited works, including Aleks Danko’s four editioned works (or ‘multiples’) with their word plays and exploration of meaning and nonsense. Grant Stevens’ video projection featured text fragments that floated across a clear blue sky like thought bubbles, or moments in a dream. Danie Mellor combined language and form in his sculptural diorama Native Gold. Referring through its title and neon signage to the purest grade of gold, it played on notions of authenticity and Aboriginal identity in Australia.

Painting is a key strength of the MCA Collection. This exhibition featured a large three-panel work by Nigel Milsom and two Adaptable sculptures by Gemma Smith, which ‘translated’ painting into three-dimensional form. They were inspired by the artist’s geometric paintings, which she broke down across a plywood surface and configured, by hand, into various sculptural forms.

Featuring Works from the MCA Collection

Benjamin Armstrong

  • Contents
  • Old Friends
  • Spent
  • Two
  • Untitled
  • Untitled I
  • Untitled II

Aleks Danko

  • A JOYCEAN LAUGH
  • Chatter
  • IT’S SUCH A THIN LINE BETWEEN CLEVER AND STUPID
  • POETIC SUICIDE

Nicholas Folland

  • Anchor (1-5)

Simryn Gill

  • Carbon Copy (kowtowing)
  • Carbon Copy (mindset)
  • Carbon Copy (puzzled)

Christopher Hanrahan

  • Keep Falling

Newell Harry

  • As Venereal Theists Rest / The Natives Are Restless

David Lawrey

  • You're not thinking fourth dimensionally

Moya McKenna

  • Dialogue at the wall

Danie Mellor

  • Native Gold

Jaki Middleton

  • You're not thinking fourth dimensionally

Nigel Milsom

Gemma Smith

Grant Stevens

  • The Wandering

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