– Highlights

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Mca Collection

MCA Collection

29 Mar - 31 Jul

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Exhibition

Telling Tales

02 Jun - 09 Oct

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Exhibition

New Romance

30 Jun - 04 Sep

– Learning Events

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Special Event

New Romance for Teachers

02 Jul, 10.00am, Level 3: National Centre for Creative Learning

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Talk

Artists In Conversation

02 Jul, 3.00pm, Level 3: Creative Studios in NCCL

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Lecture

Booked out Humanoids and Hybrids: Creepy, Uncanny and Contestable Bodies

03 Jul, 11.00am, Level 2: Veolia Lecture Theatre

– News from inside the MCA

Where do artists get their ideas from?

Artist Educators Stephanie & Athena are interviewed by kids about their art practice more

Meeting Jumaadi: MCA Kids Committee

Siobhan learns from artist Jumaadi about his shadow puppet performance The Life and Death of a Shadow more

MCA X PITCH ZINE Digital Zine

The MCA has collaborated with PITCH ZINE to create a digital zine in anticipation for the 9th annual MCA Zine Fair this weekend. more

– Spotlights from the collection online

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Volume One: MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Sangeeta Sandrasegar

b.1977 :

Sangeeta Sandrasegar was born in Brisbane of Malaysian and Australian parents, and spent her childhood growing up between both countries. In 1987 her family settled in Melbourne where she currently lives and works.

Sandrasegar has a research-based practice, in which narratives are built as each new work connects to previous projects. Her practice is centred round postcolonial and hybridity theories and draws strongly from her mixed heritage. Sandrasegar is interested in the many ways the structures of culture, sexuality and identity are intertwined in contemporary culture and in interpreting and representing these interconnections. These themes are explored through research and the development of a visual language concerned with shadows: through installations of paper cut-outs and soft sculptures, the constructed shadow becomes a motif for themes of self-hood, otherness and in-between spaces. Simultaneously engaged with the history of the shadow in art, in extending the scope of the art-object, the cast shadows hints towards cognitive alternatives, and sites of transformation.

In the past two years Sangeeta moved back to Melbourne after a stint working and travelling in Inda. Her exploration of India and Australia, as personal sites of both homecoming and ancestry, and as nations with related colonial histories are propelling her current projects. In hoping to explain her base for these socio-political and geographical investigations around the two countries, she refers to V.S. Naipal:

‘We all know the parents or grandparents we come from. But we go back and back, forever; we go back all of us to the very beginning; in our blood and bone and brain we carry the memories of thousands of beings’.

Sandrasegar has exhibited widely both locally and internationally, and is the recipient of several fellowships and prizes. In 2004 she completed a Doctorate of Philosophy at the Victorian College of the Arts and the Australian Centre, University of Melbourne. The content of the exegesis was to formalise a visual practice centred on the creative space of shadows as a theoretical tool. She proposed that the shadow subject could be re-examined and liberated from its historical representations and employed as both a positive and salient visual device for representing the ideas currently being examined in post-colonial and hybridity studies.

Works by Sangeeta Sandrasegar

– In the MCA Collection online

– View also

All
Works

Related Exhibitions