– Highlights

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Exhibition

Telling Tales

02 Jun - 09 Oct

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Exhibition

New Romance

30 Jun - 04 Sep

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

– Learning Events

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Special Event

ARTBAR August 2016

26 Aug, 7.00pm, MCA

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Special Event

Sunday Family Fun Day

28 Aug, 10.30am, Level 3: National Centre for Creative Learning

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Conference

THE FOREVER NOW

02 Sep, 10.00am, MCA

– News from inside the MCA

MCA ARTBAR Yal Kuna (My Mates) = Blessed

Wanna hang with Eric and his mates? Brisbane-based artist Eric Bridgeman gathers his art family who he has borrowed at various times throughout his practice and gives them the stage. more

Art Party: MCA Social flickers and flares

What art-concoction have curators put together for our annual Primavera fundraiser bash? more

Interview with August film curator Daniel Kasman

Delve into our new Contemporary Film Series with Daniel Kasman, Director of Content at MUBI and film curator for August. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings comprises 275 bark paintings donated to the MCA in June 1993 by Arnott’s Biscuits Limited. The collection features works from the 1960s through to the early 1980s by important artists from the creative hubs in and around Groote Eylandt, Yirrkala, Galiwin’ku (Elcho Island), Milingimbi, Maningrida, Ramingining, Gunbalanya (Oenpelli), Wadeye (Port Keats) and the Tiwi islands; places still significant today for their ongoing contribution to contemporary Aboriginal art practice. The collection is widely considered to be one of the most important collections of bark paintings in the country.

The Maningrida Collection, the Ramingining Collection and the Arnott’s Collection are three remarkable collections of Aboriginal art which complement one another, and came to the Museum because of its commitment and involvement with the Aboriginal communities, and a curatorial perspective from ‘within’ the communities in the case of the two closely related areas of Ramingining and Maningrida.

Arnotts

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings, installation view, MCA Collection, Museum of Contemporary Art, 2012, image courtesy and © the artists and artists’ estates/Licensed by Viscopy, 2015, photograph: Paul Green