See what's on at the

Browse What's On

– Highlights


Grayson Perry

10 Dec - 01 May


Primavera 2015

22 Sep - 06 Dec


Matthys Gerber

22 Sep - 06 Dec

Create and Learn at the

All Learning Programs

– Learning Events



06 Dec, 6.00pm, Throughout the MCA


Contemporary Art Studio

31 Mar, 10.00am, Level 3: National Centre for Creative Learning


Creativity in the Primary Classroom 2016

20 May, 9.00am, Level 3: National Centre for Creative Learning

Find out more about the

About the MCA

– News from inside the MCA

Getting Real (Time)

Artist Educator Stephanie Lade reflects on the process of creating a new learning program designed to open up experimental media processes to Primary and Secondary students. more

Farewell Simryn Gill with MCA Young Guides

Listen to an extract of MCA Young Guides tour of Volume One: MCA Collection, as we farewell Simryn Gill’s Carbon Copy (assimilate). more

View the Collection

Browse Collection

– Spotlights from the collection online

Volume One: MCA Collection

Works from the MCA Collection on display

Remain in Light: Photography from the MCA Collections

On tour until October 2015


Watch our latest artist interview with Khaled Sabsabi

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings comprises 275 bark paintings donated to the MCA in June 1993 by Arnott’s Biscuits Limited. The collection features works from the 1960s through to the early 1980s by important artists from the creative hubs in and around Groote Eylandt, Yirrkala, Galiwin’ku (Elcho Island), Milingimbi, Maningrida, Ramingining, Gunbalanya (Oenpelli), Wadeye (Port Keats) and the Tiwi islands; places still significant today for their ongoing contribution to contemporary Aboriginal art practice. The collection is widely considered to be one of the most important collections of bark paintings in the country.

The Maningrida Collection, the Ramingining Collection and the Arnott’s Collection are three remarkable collections of Aboriginal art which complement one another, and came to the Museum because of its commitment and involvement with the Aboriginal communities, and a curatorial perspective from ‘within’ the communities in the case of the two closely related areas of Ramingining and Maningrida.


The Arnott’s Biscuits Collection of Aboriginal Bark Paintings, installation view, MCA Collection, Museum of Contemporary Art, 2012, image courtesy and © the artists and artists’ estates/Licensed by Viscopy, 2015, photograph: Paul Green